Graduate Exhibition

chalimoé's larger sculptural pieces mimic pixilation, digital noise and colour glitches—in line with the New Aesthetic paradigm—to draw focus to the 'poor image' as a visual language. As the audience navigates through, in, and around these large sculptural pieces, their perception of the images will shift and transform between a 2D flat image and a 3D sculptural object, much like how our reality is augmented by the digital. These sculptures illustrate how our physical bodies and digital profiles are in constant dialogue, each shaping and shifting the perception of the other.